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IA, Metamorphosis, & Design Print E-mail
Written by Christian Manzella   
Wednesday, 04 August 2010 01:28

I was mowing the lawn the other day and, although I spent $50 extra at the time I bought the mower for an electric start mower, i pulled the rip cord to get the mower started.  Why?  Because the electric start requires the battery to be charged.  This requires plugging it into an electrical outlet, preferably overnight.  Too often, my son or I forget to do it, or we simply don’t do it (since it would require at least three extra steps…)

So it got me thinking…what a great example of graceful degradation, or better yet, metamorphosis.  I mean, it’s similar to the concept of hybrid cars leading up to the eventual culmination in electric only cars with battery stations instead of gas stations.  We’re so very stuck in the way we do things; creatures of habit.  Very few of us really want revolutionary idea and even fewer want their world turned upside down by new inventions.  This is why redesign requires so much more than first design.  Inclusion of existing facets, nuggets of the previous user experience are a must to keep visitors from being overwhelmed with a feeling of alienation.

When building a better wheel, all consideration must be made for the existing solution.  Before a new frame and information approach can be defined, a full assessment must be made of the existing site and solution.  This needs to be done for a number of reasons, including salvation of existing content, brand discovery, and learning about your client.  More importantly, your assessment becomes your launching point.  Every item you glean from the existing site and solution becomes the outline from which you need to spin tales of what will and will not work in the new iteration of theNextBigThing.com.  The information you retrieve, before you even start architecting, is of the utmost importance to your redesign process.

The first question to be explored is how sophisticated is the current solution…. If the existing wheel is nothing more than a coconut with two holes bored in it and a bamboo shoot shoved through, then not a lot of work needs to be done outside of taking inventory of the current content.  Essentially, when you’re starting by redesigning a website that was someone’s FrontPage high school project (we all started somewhere), then you’re designing from a clean slate.

Of course, there is the possibility that your client’s nephew’s girlfriend had a keen, natural talent for design, and if so you should take note of what you review, visually.  Information Architecture is not typically about the visual design (masterpiece) which follows, but it is about visual cues.  There’s no question that strong existing visuals establish both a product brand and a use brand for a particular site.  Pay attention and record what’s obvious.  Record what’s distracting.  These could end up being the very items that keep return visitors comfortable upon the release of your newly redesigned usability showcase.

With a more sophisticated previous site, the work really begins.  Taxonomy of existing (and future) content becomes a small, first step; a single-digit percentage of the entire project.  The navigation structure and associated visual cues now need to be vetted.  What proceeds, really, is a series of questions for you to ask and bang your head against a wall as you take notes, ask again and again, torturing yourself with the good and the bad in which the site users are able to swim through these cheesy seas that your client previously called a website. 

What makes sense? Has the content been categorized correctly? How many ways can the content be accessed? Who are the outliers… those good ideas that came well after the launch, but have no real home? Does the user know where they are at all times?

Do a complete investigation of the structure of the navigation of the site. Be critical, in order to build a better solution, but again (sense the theme, people), take special note of what is there and is working.  Despite that inexperienced ad agency’s best attempts at creating something a cat would vomit onto the internet, there’s bound to be kernels of good user experience, ripe for reuse. Keep what works.  It’s critical to maintain that user comfort.  Once you’ve exhausted the possibilities within navigation and location cues, the whims, the good, and the horrific, move on to layout.

Most of your time will undoubtedly be spent in layout.  It’s easy to discount the existing layout in favor of all those tricks that you know will work, but this path quickly becomes a precipice.  The layout is what users will become the most confused about when they jump from page to page, looking for a quick bail, or a link to a cart.  When they go to click the details button and it has suddenly become a home page link, your abandon rate will sky rocket!  Look closely at the visual paths.  How well does the site layout take the user across the screen to relevant areas of the site?  Is the eye drawn in the right direction?  A lot of sites have the right idea about layout, but simply don’t pay attention to the details.  Does it just need to be cleaned up?  Is there just a lack of consistency in gutters between content blocks creating a sensation of discontent for the user?  Make sure to identify all of the appropriate spatial use patterns.  Keep anything that you can, provided it won’t make you feel like you can no longer put your name to the project. Someone else’s layout, but with better usability principals applied, can go a long way.

If you’ve done an appropriate assessment of an existing website solution, you should end up with one to two pages of notes per content category of the site, one to two notes per layout of the site and four to five pages of notes regarding the navigation.  And, of course, your catalog of content.  You now have the tools to begin the process of merging those existing thoughts and ideas into what the client has asked for and what you know to be the right answer, based on your experience and training.

Too often, people expect to employ drastic change overnight, which is anathema to what humans prefer (hint: most sheep prefer comfort over innovation). Don’t be afraid to plan for multiple versions of a release. When working with an existing (quasi-)sophisticated design, there may be drastic departures from the original UI involved.  The larger the brand, the greater the traffic and use of the site, the more disconcerting this can be to the public audience.  It may make sense to release multiple versions, paced over a timeline, wherein you intentionally evolve the site from point-A to point-B.  This will involve creating multiple IA sets, or, at the least, multiple visual designs.  However, in the long run, this can prevent unwanted attrition of site users, something particularly important for transactional commerce sites… but let’s face it; no one wants to lose traffic.  Get the marketing group involved, if you can.  It’s a great opportunity to tell a story with the website and to drive repeat traffic.  Tease users with what’s coming and inform them about what’s been released.  Highlight changes and provide clear, well-written help areas.  Whether they are pages or tooltips make your user assistance easy to understand.

Metamorphosis is a process, by any definition.  Redesign is, in fact, a metamorphosis.  The easier you can make that process on your users, the greater chance you have of retaining your existing traffic and driving new users to your site.

Last Updated on Wednesday, 04 August 2010 01:34
 
Information Architecture & Communication Print E-mail
Written by Christian Manzella   
Saturday, 31 July 2010 01:15

There’s no formal, respected education track to becoming an information architect.  The most widely-held is Human Computer Interaction, but the role of an information architect tends to be filled by people from a variety of backgrounds who have seamed together along a few common threads.  Most prevalent among those threads is a conscious or sub-conscious need to create organization out of chaos.  That chaos most often is in the form of the client.  Or, more specifically, the personalities composing the client’s team.

Executive management committees, secretary turned art director for a day, programmers, brand managers, and the list goes on.

The challenge, of course, goes far beyond meeting the stated goals of the project.  Information architects have a stringent sense of duty to get the job done correctly, despite constant protests to do things the “wrong way.”

Information Technology will insist things can’t be done “that way.” Brand managers will require the use of specific icons as bullets because it’s part of their brand manifesto (for print design).  Executive committees will be paralyzed and horrified at every concept with the potential to offend the board or CxO.  There already exists plenty of reference material of the “Secretary Art Director,” so I’ll skip the examples on that.

The other common thread typical of good Information Architects is the ability to communicate well. 

The conversation is the point.  The outcome of the conversation is the point.  If you’re doing the right thing as an IA, you’re spending more time talking to stakeholders and points of contact than you are reflecting on, or producing, your work.  Effective communication is the crux of IA.  You can’t proceed with your work without these critical discourses, no matter who the conversation is with.  What’s more important than your diagrams is being an effective communicator, both as a sender and receiver.

As an IA, however, you’re also decoder and encoder, having conversations on multiple technical levels, multiple business levels, and even multiple social levels.  As an IA, you’re the interdisciplinary expert who can speak intelligently about design, layout, computer science (as programming and hardware), business, analysis, ergonomics, library science, taxonomy, brand image, and marketing.  To make matters worse, you have to speak to audiences within nearly every one of those disciplines, plus executives, who have spent the bulk of their career focused on their singular path and convince them that you know more about the topic than they do, which is why you’ve done things the way you have, with their direction.

By the same token, there’s a delicate balance to maintain in your ability to listen patiently, record and review even what seems to be the most inane natterings of your client team.  This is critical to the success of your project.  You cannot and must not reject ideas out of hand simply because the person you’re talking to “doesn’t comprehend what you do.”  Despite your comparison to their brain being similarly sized to a dinosaur’s (insert note/reference to Will Ferrell’s Land of the Lost), good ideas can come from anywhere.  Any idea can be implemented.  Because your experience and yes, “best practices,” say it shouldn’t be done in general, it does not mean you automatically rule it out for the current project.  Ask questions. Review the answers in your head.  Re-state the questions; ask new questions relevant to the conclusions you’ve made.

The ability to effectively communicate is a critical skill to most everything in this world worth experiencing.  A successful Information Architect relies on two-way communication and can’t do their job without the ability to effectively communicate on every level.  You have to be able to send and receive.  Artfully.

Last Updated on Wednesday, 04 August 2010 00:22
 
The 5 C’s of a Successful Website Print E-mail
Written by Christian Manzella   
Thursday, 08 July 2010 21:43

Originally published in Boating Industry Magazine, November 2008.  PDF here.

In a downturn economy such as ours, little is as important as the efforts that go into marketing your product.  Production is paced to match consumer interest, and consumer interest is generated primarily through effective marketing.  In today’s world, some of the most effective marketing and some of the least expensive marketing is done in the interactive space.  The World Wide Web.  The internet.  Your website.

So, are you getting what you need out of your website?

Websites are only as effective as the effort that you put into them.  It’s not uncommon for people to spend a lot of money optimizing their site for search engines, or paying for direct traffic on keywords, or even paying for banner ads.  This is great for driving traffic, but only gets the customers to your site.  I can’t imagine anyone who would want to spend the money for radio and TV ads to send someone to a marina that was unclean, had outdated boats, and no personnel to guide and assist you.  It just wouldn’t make good business sense.  So why do the same with your website?

Every website needs 5 things to stay on top of your prospects and to keep them coming to you.  Traffic is great, but ultimately, for a dealer, the true measure is whether or not your site visitors are impressed enough with your site and your inventory that they send you their information with a resounding, “Yes!  I want you to sell me a boat.”  There are five things that make a website effective.  While these things hold true for any website, they are especially true in the Marine industry:

1. Clean Design
2. Current Content
3. Concise Information
4. Clear Navigation
5. Contact Strategy

1. Clean Design:
Clean Design is the cornerstone to persuasive websites.  All of the truly successful and well-known websites have very similar approaches to design.  Every commonly used website uses visual cues that are light on the eyes with heavy contrast to text.  There’s no challenge determining what has importance in the page’s layout and there’s no confusion about what the brand behind the site represents.  It goes without saying that humans are accustomed to reading black text on white backgrounds.  As I think about it, I don’t recall reading a lot of books with white text printed on black pages.

2. Current Content
In the Marine industry, the main point behind your site is to get your boats online.  If your inventory doesn’t reflect what’s actually, currently in stock, then why have it up there?  The first thought a customer is going to have when they visit you on a boat that you no longer have, is whether or not this is some kind of bait and switch.  Your site should reflect current happenings at your dealership, also.  Set up a newsletter.  Fill out your calendar.  Post your job openings.  Designate someone whose job it is to put an article up on the site once a week.  There’s never a guarantee to generate return traffic on the site, but it’s a lot more impressive to your prospects to see that something was just updated on the site in the last week.

3. Concise Information
It’s been researched, fairly exhaustively, that human attention span has shortened over the last hundred years, and that attention span is drastically more limited by web experience.  Someone once told me that we get through about 26 words on website pages when we view them, which seems like a stretch to me.  I suspect it’s closer to 7.  The point is that it’s best to keep your message short and visual.  Search Engine Optimization is all-important these days, but not if you risk losing your message and your audience.  Using the showroom comparison again, it doesn’t do much good to send prospects to your lot if they have to ride through 17 gates, make two left turns and find the cheese at the end of the maze in order to view your boats.

4. Clear Navigation
Clear Navigation is often mistaken for boring navigation.  It’s not the same.  Navigation does not have to always be horizontal, nor does it have to only be one level and static.  However, navigation should always clearly indicate where the consumer wants to go and what the results are going to be when they click there.  The English language is filled with an endless supply of words allowing us to do this easily and simply, with great effect. 

While cascading navigation is wonderful at the second level, it can often generate frustration at the third and fourth levels and beyond.  Gone are the days when all navigation needed to be on every page.  While this is helpful, it can also be overkill if there are too many options.  Lead your prospects.  They want to be shown where they need to go in order to get the information they’re looking for.  This means you need to anticipate their needs and drive them to the relevant portions of your site in three clicks or less. 

5. Contact Strategy
In the end, your website needs to provide you a return on investment.  This boils down to Contact Strategy.  Whether you’re selling items online, or looking to generate leads so your qualified sales staff can turn those leads into sales, you want your contact cues to be persistent; available at all times.  When you’re on a portion of the site that highlights your product, your contact navigation links should be obvious and consistent.  An old adage says that you don’t get the sale without asking for it.  You want to make it as easy and painless as possible for your prospect to reach out and contact you.

There’s a great deal that can make a website exciting and interactive.  This can be done while keeping the 5 C’s in mind.  A successful website under the above guidelines can still be interactive, educational, and entertaining.   The key is to properly plan and maintain your website.  Following these guidelines can give even the smallest marina enough leads to maintain an edge in what is sure to be a competitive market in the foreseeable future.

Last Updated on Wednesday, 04 August 2010 00:23
 
Looking Forward Print E-mail
Written by Christian Manzella   
Sunday, 28 June 2009 03:59

It's not about when the "trials and tribulations" will be over and when you will "find peace."  You need to find peace in the trials.  You need to view the trials as experiences.  All experience, good and bad, is what you learn from.  Without it, we're just empty shells living drone life.  The act of living in your experience, acknowledging it, breathing it in, is what brings you peace.

Unfortunately, too much of our media & entertainment has sold us and told us that peace is equal to relaxation.  In perpetuity.  Drinking that cocktail on the beach is not peace, it's respite.  In time, this too becomes drone. 

The trials are part of what we do, who we are, and how we become what we become.  Getting so caught up in the tomorrow where this will "all be over" is what leads us to unhappiness.  Drinking in every moment... not necessarily trying to find the "good" in every moment, because you can't and won't find your definition of good in everything that happens to you... is the true path to finding peace.

Last Updated on Wednesday, 04 August 2010 00:23
 
Effective Interpersonal Communication Print E-mail
Written by Christian Manzella   
Saturday, 16 May 2009 12:34

From the time I began working at fifteen years old until the onset of my career at the age of twenty-five, I held a multitude of “jobs.”  During these experiences, the most critical skills I took away were all centered in effective communication.  In order for communication to be effective, there are three abilities one must be willing to embrace: to modify your communication to your audience, to retain your composure regardless of the situation, and to exercise comprehension by reiterating what has been told to you.

In the early years, while working in music retail, I learned quickly that I was required to interact with customers who communicated in different ways.  I was unable to expect everyone to conform to my style of communication, so the ability to adjust to theirs was crucial to the tasks at hand.  This was especially apparent as the gentleman who comes in looking for that old Dave Brubeck Quartet album will have a much different demeanor than the teen coming in for the new Green Day CD.  This lesson, the ability to conform my style of communication to my audience, was a critical skill that I developed and practiced every day as I communicated with those who have vastly differing personalities and backgrounds.

Sometimes, in times of duress, it is easy to become exceptionally agitated.  One thing that my prior experience in the restaurant industry taught me is to keep a level head at all times.  At all moments, a restaurant is an organized chaos of barking orders, running food, and constant shuffling behind the scenes while the front end of the restaurant is a friendly experience for the diners.  Being able to maintain composure has done more than elevate the perception others have of me; it has helped to keep me focused and able to continue effective communication.  If you fall into the pitfall of stress and allow it to permeate your ability to think rationally and speak effectively, you lose not only the respect of those working with you, but also the ability to logically reason through the task at hand.

The last skill I learned, although arguably the most important, is reiteration.  I also learned this in the restaurant industry simply by virtue of both being a cook and a server.  I had to repeat what others were saying in order to demonstrate understanding.  It was several years into my career in the IT/website industry, when I began to realize that this still applied.  It was no longer a matter of applying what was requested in terms of food, but any task.  This was an invaluable lesson I learned when working with my employers, employees and clients.  The simple process of repeating what has been spoken to you decreases the likelihood for error tremendously.

These three abilities are what comprise any individual’s ability to effectively communicate in business relations, both internally and externally, with clients.  Nothing can replace the ability to adjust one’s own communication style, retain composure, and reiterate what has been spoken to you.

Last Updated on Wednesday, 04 August 2010 00:23
 
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